Wendell Berry Bio, Age, Wife, Books, Poems, Quotes, Farm And Awards

Last Updated on

Wendell Berry Biography

Wendell Berry whose birth name is Wendell Erdman Berry was born in Henry County, Kentucky, the U.S. on August 5, 1934. He is an American novelist, poet, essayist, environmental activist, cultural critic, and farmer.

Wendell Berry

He is an elected member of the Fellowship of Southern Writers, a recipient of The National Humanities Medal, and the Jefferson Lecturer for 2012. He is also a 2013 Fellow of The American Academy of Arts and Sciences.

Berry was named the recipient of the 2013 Richard C. Holbrooke Distinguished Achievement Award. On January 28, 2015, he became the first living writer to be inducted into the Kentucky Writers Hall of Fame.

Wendell Berry Age

Wendell Erdman Berry who was born in Henry County, Kentucky, U.S. on August 5, 1934.

Wendell Berry Photo

Wendell Berry Early Life

He was the first of four children to John Marshall Berry, a lawyer, and official with the Burley Tobacco Growers Association; and his wife Virginia Erdman Berry. His family had a rich farming history which played a pivotal role in shaping up his thoughts as a child.

Wendell Berry Education

He enrolled in a secondary school at Millersburg Military Institute in 1948 from where he graduated after four years. In 1952, he got admitted to University and passed out in 1957 after earning his Bachelor’s and Master’s degree in English literature.

Wendell Berry Wife

In 1955, while doing graduation, he met Tanya Amyx, the daughter of an Art Professor at the University of Kentucky. They finally married on May 29, 1957, and had two children a daughter Mary Dee and a son Prior Clifford.

Wendell Berry Height and Weight

Berry’s height and weight are unknown but the information will be updated soon.

Wendell Berry Net Worth

Berry who is an author of novels, short stories, poems, and essays and recipients of the National Humanities Medal, has an estimated net worth of  2 million dollars.

Wendell Berry Career | Wendell Berry Poetry

Skeptical of innovation, he holds profound worship for the land and is a staunch protector of agrarian qualities. He is the writer of more than 40 books of verse, fiction, and expositions. His verse commends the blessedness of life and ordinary supernatural occurrences frequently underestimated.

Pundits and researchers have recognized Wendell Berry as an ace of numerous art classes, yet whether he is composing verse, fiction, or articles, his message is basically the equivalent: people must figure out how to live in agreement with the characteristic rhythms of the earth or die.

The Unsettling of America: Culture and Agriculture, which dissects the numerous disappointments of present-day, motorized life, is one of the key writings of the natural development, yet Berry, a political free thinker, has condemned earthy people just as those engaged with huge organizations and land advancement.

As he would see it, numerous tree huggers place an excessive amount of accentuation on wild grounds without recognizing the significance of farming to our general public. Berry unequivocally accepts that little scale cultivating is basic to sound neighborhood economies and that solid nearby economies are basic to the endurance of the species and the prosperity of the planet. In a meeting with New Perspectives Quarterly manager Marilyn Berlin Snell, Berry clarified: “Today, neighborhood economies are being annihilated by the ‘pluralistic,’ uprooted, worldwide economy, which has no regard for what works in an area. The worldwide economy is based on the rule that one spot can be abused, even decimated, for somewhere else.”

Berry further accepts that conventional qualities, for example, conjugal devotion and solid network ties, are basic for the endurance of mankind. In his view, the breaking down of networks can be followed to the ascent of agribusiness: enormous scale cultivating under the influence of Goliath partnerships.

Other than depending on substance pesticides and manures, advancing soil disintegration, and causing consumption of antiquated springs, agribusiness has driven endless little ranches out of the presence and crushed neighborhood networks all the while. In his New Perspectives Quarterly meeting, Berry remarked that such enormous scale agribusiness is ethically just as earth unsatisfactory: “We should bolster what supports nearby life, which means network, family, family life—the ethical capital our bigger establishments need to stop upon.

In the event that the bigger establishments undermine the nearby life, they obliterate that ethical capital only precisely as the modern economy has devastated the regular capital of areas—soil fruitfulness, etc. Basic knowledge collects in the network much as richness works in the dirt.”

Berry’s topics are reflected in his life. As a youngster, he invested energy in California, Europe, and New York City. Inevitably, in any case, he came back to the Kentucky land that had been settled by his progenitors in the mid-nineteenth century.

He educated for a long time at the University of Kentucky, yet in the long run, he surrendered for full-time cultivating. He uses ponies to work his property and utilizes natural techniques for preparation and nuisance control; he additionally filled in as a contributing manager to New Farm Magazine and Organic Gardening and Farming, which have distributed his verse just as his agrarian treatises.

It was as an artist that Berry originally increased scholarly acknowledgment. In volumes, for example, The Broken Ground, Openings: Poems, Farming: A Handbook, and The Country of Marriage, he composed of the farmland, the turning of the seasons, the schedules of the homestead, the life of the family, and the otherworldly parts of the normal world.

Exploring Collected Poems, 1957-1982, New York Times Book Review donor David Ray called Berry’s style “resounding” and “genuine,” and asserted that the artist “can be said to have returned American verse to a Wordsworthian lucidity of direction. …

There are times when we may think he is returning us to the simplicities of John Clare or the hardness of Robert Frost. … In any case, similarly as with each significant writer, sections in which style takes steps to turn into its very own voice all of a sudden give way, similar to the sound of slashing in a murmurous backwoods, to lines of intensity and noteworthy reverberation. Huge numbers of Mr. Berry’s short ballads are as fine as any written presently.”

It is maybe Berry’s articles that have presented to him the best wide readership. In one of his most well known early accumulations, The Unsettling of America: Culture and Agriculture, he contends that farming is the establishment of America’s more prominent culture.

He presents a solid defense against the U.S. government’s horticultural strategy, which elevates works on prompting overproduction, contamination, and soil disintegration. Word reference of Literary Biography patron Leon V. Driskell named The Unsettling of America “a prophetically calamitous book that spots in strong alleviation the natural and ecological issues of the American country.”

Another article accumulation, Recollected Essays, 1965-1980, has been contrasted by a few pundits with Henry David Thoreau’s Walden. Charles Hudson, writing in the Georgia Review, noticed that, “similar to Thoreau, one of Berry’s major concerns is working out a reason for carrying on with a principled life.

What’s more, similar to Thoreau, as he continued looking for standards Berry has streamlined his life, and quite a bit of what he expounds on is the thing that has gone to this disentanglement, just as an analysis of present-day society from the angle of this straightforwardness.”

In Sex, Economy, Freedom, and Community: Eight Essays, Berry keeps on upbraiding the individuals who imprudently abuse the common habitat and harm the basic good texture of networks. David Rains Wallace saw in the San Francisco Review of Books: “There’s no living writer superior to Wendell Berry.

His writing is excellent for the craftsmanship he advocates. It resembles ace cabinetry or Shaker furniture, drawing class from exactness and effortlessness from straightforwardness.” Wallace permitted that now and again, “Berry may overestimate farming’s capacity to guarantee request and soundness,” yet he kept up that the creator’s “endeavors to incorporate natural and horticultural thinking stay about the primary significance.”

Life is a Miracle: An Essay against Modern Superstition tends to the presumption, held by many, that science will give answers for all the world’s issues and secrets. Berry considered this book as a reply to noticeable Harvard University researcher Edward O. Wilson’s Consilience, which set forth as a postulation the all-encompassing intensity of science.

Wilson Quarterly benefactor Gregg Easterbrook called Berry’s book “a nuanced and provocative investigate,” while Washington Monthly analyst Bill McKibben saw that “Berry offers a rich assortment of reactions, never scared by the logical ability of his adversary.”

Jonathan Z. Larsen proposed in the Amicus Journal, however, that may be “Wilson has made too helpful a whipping kid,” and noticed that Wilson and Berry have taken some comparable stands, with both voicing incredible worry about nature. Larsen likewise kept up that Berry needs to give increasingly nitty-gritty remedies to accomplishing his optimal society, one loaded up with love for one’s property and network. Larsen had acclaim for the book also, particularly for Berry’s composition style, which works at “prevailing upon the peruser nearly as much through verse as through rationale.”

Berry’s Citizenship Papers naturally centers around agrarian concerns, yet in addition, directs its concentration toward the post-9/11 world in a few of its nineteen expositions. “A Citizen’s Response to the New National Security Strategy” centers around the U.S. government’s reaction to fear monger dangers through the Patriotism Act; initially distributed in the New York Times, the four-section explanation “tests the meanings of psychological oppression and security; the job of a legislature in battling detestable; national security dependent on philanthropy, respectfulness, freedom, genuine enthusiasm, and principle of law; and the disappointment of Christianity, Judaism, and Islam to reject war as a vehicle to harmony,” clarified Sojourner’s giver Rose Marie Berger.

In Booklist Ray Olson named the writer “perhaps the best beautician, as perspicuous as T. H. Huxley at his best and as perspicacious as John Ruskin at his.” While Olson kept up that Berry receives a way to deal with America’s ills “grasping life and network,” a Kirkus benefactor composed that in the “clangor of stresses” reverberating in Citizenship Papers Berry presents perusers with “the antitoxins of consideration, duty, interest, ability, thoughtfulness, and a consciousness of the homeplace.”

Cultivating and network are vital to Berry’s fiction just as his verse and articles. A large portion of his books and short stories are set in the anecdotal Kentucky town of Port William. Like his genuine main residence, Port Royal, Port William is a since quite a while ago settled cultivating network arranged close to the intersection of the Ohio and Kentucky Rivers.

In books, for example, Nathan Coulter: A Novel, A Place on Earth: A Novel, The Wild Birds: Six Stories of the Port William Membership, and Jayber Crow: The Life Story of Jayber Crow, Barber, of the Port William Membership, Berry displays the lives of seven ages of ranch families. In spite of the fact that Fidelity: Five Stories analyzes Port William in the mid 1990s, a large portion of Berry’s accounts about the network occur in the primary portion of the twentieth century; as Dictionary of Literary Biography giver Gary Tolliver clarified, “This speaks to the last days of America’s customary homestead networks only preceding the verifiably basic time frame when they started to break separated affected by mechanical and monetary powers toward the finish of World War II.”

Connecting every one of the tales is the subject of stewardship of the land, which Tolliver said is “frequently symbolized as interlocking relationships between a man and his family, his locale, and the land.” What develops, Los Angeles Times Book Review supporter Noel Perrin remarked, “is an injured yet at the same time incredible culture.”

Jayber Crow, managing to some extent with the title character’s lonely love for a wedded lady, likewise “takes a stab at something more noteworthy, winding up nothing not exactly a pitiful and clearing funeral poem for the possibility of network, an appalling sign of what we lost in the twentieth century for the sake of financial and social advancement,” related Dean Bakopoulos in the Progressive.

World and I commentator Donald Secrest saw that this present novel’s “fundamental structure square is the common representation of spot as a character, a worry that additionally commands Berry’s genuine and verse. … The connection among scene and character is the center worry of Berry’s battle to make individuals progressively capable, increasingly responsible for the impacts their ways of life have on nearby situations.”

An imperfection Secreast saw in Jayber Crow is the crude portrayal of ladies and the absence of significance joined to their job in the network. While rustic social orders have customarily been male-overwhelmed, Secrest noticed, Berry’s Port William is by all accounts less an impression of provincial life as it once existed than a depiction of country life as it ought to be, or ought to have been.

“So if he’s not being nostalgic, for what reason should he be bound by the real elements of a genuine country network?” Secrest composed. “For what reason must Jayber Crow, in spite of his affectability, demand his minimization from the womanhood of Port William?”

Then again, Hannah Coulter: A Novel focuses completely on Port William’s life from a female point of view. In the style of a journal, Hannah muses on her life in farmland that she never expected to change. Hannah’s first marriage in quite a while her a widow of World War II and a single parent.

Her consequent union with rancher Nathan Coulter results, improving her existence with extra kids, none of whom stay on the land to work the family ranch. Will Nathan’s passing imprint the finish of life as Hannah knew it and as she assumed it would remain? A Publishers Weekly supporter complimented Berry for his “fragile, gleaming composition” and suggested the novel as “an enthusiastic, abstract vision of American provincial life and qualities.”

In a comparative design, a Kirkus Reviews author called Hannah Coulter “a sort of requiem for the obviously delightful nation life that … blurred into history, a casualty of monetary and social change.”

For an increasingly broad outline of life in Port William, perusers can submerge themselves in That Distant Land: The Collected Stories of Wendell Berry. The narratives, which incorporate four not recently distributed, length a century in the life of the anecdotal cultivating network. The district associates its different occupants—man, lady, rancher, educator, attorney, each battling in their own particular manner to keep up the basic way of life of times nearly passed by.

“Berry is an American fortune,” composed Ann H. Fisher in Library Journal audit of the accumulation. A supporter of Publishers Weekly saw that the creator’s “vibe for the inward existences of his idiosyncratic rustic characters makes for some critical pictures.”

Berry’s composition style differs incredibly starting with one book then onto the next. Nathan Coulter, for instance, is a case of the profoundly adapted, formal, save exposition that overwhelmed the late 1950s, while A Place on Earth was depicted by Tolliver as “long, agonizing, wordy” and “more an archive of awareness than a customary novel.”

Several pundits have lauded Berry’s fiction, both for the nature of his composition and for the manner in which he brings his anxieties for cultivating and network to life in his stories. As Gregory L. Morris expressed in Prairie Schooner, “Berry puts his accentuation upon the rightness of connections—connections that are essential, intrinsic, sacred. …

Berry’s accounts are built of funniness, of the epitaph, of exposition that conveys inside it the rhythms of the song. The story voice best in Berry’s books … is the voice of the elegist, adulating and grieving a lifestyle and the individuals who have followed that route in their private and exceptionally huge narratives.”

Thinking about Berry’s group of work, Charles Hudson brought up the creator’s flexibility and complimented him for his valuation for the plain things throughout everyday life. “During a time when numerous scholars have conceded to their ‘claim to fame’— despite the fact that doing so can prompt corporate greed, value, guilty pleasure, social flightiness, or even agnosticism—Berry has wouldn’t practice,” Hudson wrote in the Georgia Review. “He is a writer, an artist, a writer, a naturalist, and a little rancher. He has grasped the ordinary and has recognized it.”

In 2016, Berry was granted the Ivan Sandrof Lifetime Achievement Award by the National Books Critics Circle.

Wendell Berry Books

  • Hannah Coulter (2004)
  • Jayber Crow (2000)
  • The Unsettling of American: Culture and Agriculture (1977)
  • What are people for? (1990)
  • A Place on earth (1996)
  • That distant land (2002)
  • Nathan Coulter (1985)
  • The Memory of Old Jack (1974)
  • A world lost (1996)
  • The way of Ignorance(2005)
  • The art of the commonplace(2002)
  • The Gift Of Good land(1981)
  • Watch With Me(1994)
  • Farming, a handbook(1970)
  • Another turn of the crank(1995)
  • Fidelity(1992)
  • Imagination in Place(2010)
  • The Wild Birds(1986)
  • The long-legged house (1969)

Wendell Berry Poems

  • The Broken Ground
  • November twenty six nineteen hundred sixty three
  • Openings
  • Farming: A Hand Book
  • The Country of Marriage
  • An Eastward Look
  • Sayings and Doings
  • Clearing
  • A Part
  • The Wheel
  • The Collected Poems: 1957–1982
  • Sabbaths: Poems
  • Traveling at Home
  • Entries
  • The Farm
  • A Timbered Choir: The Sabbath Poems 1979–1997
  • The Selected Poems of Wendell Berry
  • The Gift of Gravity, Selected Poems, 1968–2000
  • Sabbaths 2002
  • Given: New Poems
  • Window Poems
  • The Mad Farmer Poems
  • Sabbaths 2006
  • Leavings
  • Sabbaths 2009
  • New Collected Poems
  • This Day: Sabbath Poems Collected and New 1979–2013
  • Terrapin and Other Poems
  • Sabbaths 2013
  • A Small Porch
  • Roots To The Earth
  • Sabbaths 2016

Wendell Berry The Peace of Wild Things: And Other Poems

Tall marigolds darkening. A spring wind blowing. The woods awake with sound. On the wooden porch, your love smiling. Dew-wet red berries in a cup. On the hills, the beginnings of green, clover and grass to be pasture. The fowls singing and then settling for the night. Bright, silent, thousands of stars.

You come into the peace of simple things. From the author of the ‘compelling’ and ‘luminous’ essays of The World-Ending Fire comes a slim volume of poems. Tender and intimate, these are consoling songs of hope and of healing; short, simple meditations on love, death, friendship, memory, and belonging.

They celebrate and elevate what is sensuous about life, and invite us to pause and appreciate what is good in life, to stop and savor our fleeting moments of earthly enjoyment. And, when fear for the future keeps us awake at night, to come into the peace of wild things.

Title The Peace of Wild Things: And Other Poems
Author Wendell Berry
Publisher Penguin Books Limited, 2018
ISBN 0141987138, 9780141987132
Length of 144 pages

Wendell Berry Sabbath Poem | Wendell Berry This Day: New and Collected Sabbath Poems 1979 – 2012

For nearly thirty-five years, Wendell Berry has been at work on a series of poems occasioned by his solitary Sunday walks around his farm in Kentucky. From riverfront and meadows to grass fields and woodlots, every inch of this hillside farm lives in these poems, as do the poet’s constant companions in memory and occasion, family and animals, who have with Berry created his Home Place with love and gratitude.

There are poems of spiritual longing and political extremity, memorials, and celebrations, elegies, and lyrics that include some of the most beautiful domestic poems in American literature, alongside the occasional rants of the Mad Farmer, pushed to the edge yet again by his compatriots and elected officials.

With the publication of this new complete edition, it is becoming increasingly clear that The Sabbath Poems have become the very heart of Berry’s entire work. And these magnificent poems, taken as a whole, have become one of the greatest contributions ever made to American poetry.

Title This Day: New and Collected Sabbath Poems 1979 – 2012
Author Wendell Berry
Publisher Counterpoint, 2013
ISBN 1619021986, 9781619021983
Length of 400 pages

Wendell Berry The Unsettling of America: Culture & Agriculture

Since its publication in 1977, The Unsettling of America has been recognized as a classic of American letters. Wendell Berry argues that good farming is a cultural and spiritual discipline. Today’s agribusiness, however, takes farming out of its cultural context and away from families. As a result, we as a nation are more estranged from the land—and from the intimate knowledge, love, and care of it.

Sadly, as Berry notes in his Afterword, his arguments and observations are more relevant than ever. We continue to suffer the loss of community, the devaluation of human work, and the destruction of nature under an economic system dedicated to the mechanistic pursuit of products and profits. Although “this book has not had the happy fate of being proved wrong,” Berry writes, there are good people working “to make something comely and enduring of our life on this earth.” Wendell Berry is one of those people, writing and working, as ever, with passion, eloquence, and conviction.

“Wendell Berry is one of those rare individuals who speak to us always of responsibility, of the individual cultivation of active and aware participation in the arts of life.” —The Bloomsbury Review.

Title The Unsettling of America: Culture & Agriculture
Author Wendell Berry
Edition reprint
Publisher Catapult, 2015
ISBN 1619026961, 9781619026964
Length of 240 pages

Wendell Berry Essays | Wendell Berry What I Stand On: The Collected Essays of Wendell Berry, 1969-2017

The indispensable writings of our foremost voice on the current ecological and cultural crisis, more relevant now than ever, in a special two-volume edition prepared in consultation with the author.
Writing with elegance and clarity, Wendell Berry is a compassionate and compelling voice for our time of political and cultural distrust and division, whether expounding the joys and wisdom of nonindustrial agriculture, relishing the pleasure of eating food produced locally by people you know or giving voice to a righteous contempt for hollow technological innovation.

He is our most important writer on the cultural crisis posed by industrialization and mass consumerism and the vital role of rural, sustainable farming in preserving the planet as well as our national character.

Now, in celebration of Berry’s extraordinary six-decade-long career, the Library of America presents a two-volume boxed set edition of his nonfiction writings prepared in close consultation with the author.

Here in full are such landmark books as The Unsettling of America and Life Is a Miracle, along with generous selections from more than a dozen other volumes, revealing as never before the evolution of Berry’s thoughts and concerns as a farmer, neighbor, citizen, teacher, activist, and ecological philosopher.

Throughout he demonstrates that our existence is always connected to the land and that even in a modern global economy local farming is essential to the flourishing of our culture, to healthy living and stable communities, and indeed to the continuing survival of the human species.

Berry’s essays remain timely, even urgent today, and will resonate with anyone interested in our relationship to the natural world and especially with a younger, politically engaged generation invested in the future welfare of the planet.

LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing.

The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

Title What I Stand On: The Collected Essays of Wendell Berry, 1969-2017
Volumes 316-317 of Library of America
Author Wendell Berry
Editor Jack Shoemaker
Publisher Library of America, 2019
ISBN 1598536109, 9781598536102
Length of 1650 pages

Wendell Berry Our Real Work | Wendell Berry The Real Work

It may be that when we no longer know what to do
we have come to our real work,
and that when we no longer know which way to go
we have come to our real journey.
The mind that is not baffled is not employed.
The impeded stream is the one that sings.

Copyright ©1983 by Wendell Berry, from Standing by Words. Reprinted by permission of Counterpoint.

Wendell Berry Manifesto: The Mad Farmer Liberation Front | Wendell Berry Practice Resurrection

Love the quick profit, the annual raise,

vacation with pay. Want more

of everything ready-made. Be afraid

to know your neighbors and to die.

And you will have a window in your head.

Not even your future will be a mystery

any more. Your mind will be punched in a card

and shut away in a little drawer.

When they want you to buy something

they will call you. When they want you

to die for profit they will let you know.

So, friends, every day do something

that won’t compute. Love the Lord.

Love the world. Work for nothing.

Take all that you have and be poor.

Love someone who does not deserve it.

Denounce the government and embrace

the flag. Hope to live in that free

republic for which it stands.

Give your approval to all you cannot

understand. Praise ignorance, for what man

has not encountered he has not destroyed.

Ask the questions that have no answers.

Invest in the millennium. Plant sequoias.

Say that your main crop is the forest

that you did not plant,

that you will not live to harvest.

Say that the leaves are harvested

when they have rotted into the mold.

Call that profit. Prophesy such returns.

Put your faith in the two inches of humus

that will build under the trees

every thousand years.

Listen to carrion — put your ear

close, and hear the faint chattering

of the songs that are to come.

Expect the end of the world. Laugh.

Laughter is immeasurable. Be joyful

though you have considered all the facts.

So long as women do not go cheap

for power, please women more than men.

Ask yourself: Will this satisfy

a woman satisfied to bear a child?

Will this disturb the sleep

of a woman near to giving birth?

Go with your love to the fields.

Lie easy in the shade. Rest your head

in her lap. Swear allegiance

to what is nighest your thoughts.

As soon as the generals and the politicos

can predict the motions of your mind,

lose it. Leave it as a sign

to mark the false trail, the way

you didn’t go. Be like the fox

who makes more tracks than necessary,

some in the wrong direction.

Practice resurrection.

“Manifesto: The Mad Farmer Liberation Front” from The Country of Marriage, Harcourt Brace Jovanovich, Inc. 1973. Also published by Counterpoint Press in The Selected Poems of Wendell Berry, 1999; The Mad Farmer Poems, 2008; New Collected Poems, 2012.

Wendell Berry Quotes

  • “The atmosphere, the earth, the water, and the water cycle – those things are good gifts. The ecosystems, the ecosphere, those are good gifts. We have to regard them as gifts because we couldn’t make them. We have to regard them as good gifts because we couldn’t live without them.”
  • “The care of the Earth is our most ancient and most worthy, and after all our most pleasing responsibility. To cherish what remains of it and to foster its renewal is our only hope.”
  • “I come into the peace of wild things who do not tax their lives with forethought of grief… For a time I rest in the grace of the world, and am free.”
  • “We have the world to live in on the condition that we will take good care of it. And to take good care of it, we have to know it. And to know it and to be willing to take care of it, we have to love it.”
  • “Whether we and our politicians know it or not, Nature is a party to all our deals and decisions, and she has more votes, a longer memory, and a sterner sense of justice than we do.”
  • “It is not from ourselves that we learn to be better than we are.”
  • “An economy genuinely local and neighborly offers to localities a measure of security that they cannot derive from a national or a global economy controlled by people who, by principle, have no local commitment.”

Wendell Berry Interviews

  • Beattie, L. Elisabeth (Editor). “Wendell Berry” in Conversations With Kentucky Writers, University Press of Kentucky, 1996.
  • Berger, Rose Marie. “Wendell Berry interview complete text,” Sojourner’s Magazine, July 2004
  • Fisher-Smith, Jordan. “Field Observations: An Interview with Wendell Berry'”
  • Grubbs, Morris Allen (Editor). Conversations with Wendell Berry, University Press of Mississippi, 2007. ISBN 1578069920
  • hooks, bell. “Healing Talk: A Conversation” in “Belonging: A Culture of Place”, 2009, Routledge.
  • Lehrer, Brian. The Brian Lehrer Show WYNC, October 17, 2013
  • Leonard, Sarah. “Nature as an Ally” Dissent, Vol. 59, No. 2, Spring, 2012
  • Minick, Jim. “A Citizen and a Native: An Interview with Wendell Berry” Appalachian Journal, Vol. 31, Nos 3–4, (Spring-Summer, 2004)
  • Weinreb, Mindy. “A Question a Day: A Written Conversation with Wendell Berry” in Merchant
  • Brockman, Holly. “How can a family live at the center of its own attention?’ Wendell Berry’s thoughts on the good life”, January/February 2006
  • Smith, Peter. “Wendell Berry’s still unsettled in his ways.” The Courier-Journal, September 30, 2007, A1.
  • “Wendell Berry: A conversation,” The Diane Rehm Show. WAMU 88.5 American University Radio, November 30, 2009.
  • “Wendell Berry: Poet & Prophet,” Moyers & Company. PBS. October 4, 2013.
  • “Wendell Berry, Burkean” Interview with Gracy Olmstead. The American Conservative, February 17, 2015.

Wendell Berry Awards

  • Wallace Stegner Fellowship
  • Guggenheim Fellowship
  • Rockefeller Fellowship
  • Arts and Letters Award
  • Poets’ Prize
  • Thomas Merton Award
  • Aiken Taylor Award for Modern American Poetry
  • Art of Fact Award
  • Kentuckian of the Year
  • Premio Artusi
  • The Cleanth Brooks Medal for Lifetime Achievement
  • The Louis Bromfield Society Award
  • The National Humanities Medal
  • The 41st Jefferson Lecture in the Humanities
  • The Peggy V. Helmerich Distinguished Author Award
  • Russell Kirk Paideia Prize
  • Fellow of the American Academy of Arts and Sciences
  • The Roosevelt Institute’s Freedom Medal
  • The Richard C. Holbrooke Distinguished Achievement Award
  • The Martin E. Marty Award for the Public Understanding of Religion
  • The Allen Tate Poetry Prize
  • The Dean’s Cross for Servant Leadership in Church and Society
  • Kentucky Writers Hall of Fame
  • The American Food and Farming Award
  • Ivan Sandrof Lifetime Achievement Award
  • The Sidney Lanier Prize
  • IACP Trailblazer
  • UK Libraries Medallion for Intellectual Achievement

Wendell Berry Farm